Apr
26
7:00 PM19:00

EDNA Residency Night Three

The Phoenix Gallery & Music Hall and TURNmusic present EDNA: The Residency

7pm Doors, 7:30pm Music

Sliding Scale $15-35

EDNA is Michael Chorney, Jeremy Frederick and Kyle Saulnier. With shows in February, March and April (and more to be announced), EDNA is our artist in residence at The Phoenix for the Spring. EDNA brings an experimental, post-rock edge to a lyric-less and uniquely modern musical world. Michael Chorney is the Tony winning collaborator/arranger with Anais Mitchell of Hadestown (2019 Tony Award winner, Best Musical) and the bandleader and songwriter behind myriad other projects including, most recently, Freeway Clyde.

http://www.michaelchorney.com/

 
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Mar
15
7:00 PM19:00

EDNA Residency Night Two

The Phoenix Gallery & Music Hall and TURNmusic present EDNA: The Residency

7pm Doors, 7:30pm Music

Sliding Scale $15-35

EDNA is Michael Chorney, Jeremy Frederick and Kyle Saulnier. With shows in February, March and April (and more to be announced), EDNA is our artist in residence at The Phoenix for the Spring. EDNA brings an experimental, post-rock edge to a lyric-less and uniquely modern musical world. Michael Chorney is the Tony winning collaborator/arranger with Anais Mitchell of Hadestown (2019 Tony Award winner, Best Musical) and the bandleader and songwriter behind myriad other projects including, most recently, Freeway Clyde.

http://www.michaelchorney.com/

 
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Feb
16
7:00 PM19:00

EDNA Residency Night One

The Phoenix Gallery & Music Hall and TURNmusic present EDNA: The Residency

7pm Doors, 7:30pm Music

Sliding Scale $15-35

EDNA is Michael Chorney, Jeremy Frederick and Kyle Saulnier. With shows in February, March and April (and more to be announced), EDNA is our artist in residence at The Phoenix for the Spring. EDNA brings an experimental, post-rock edge to a lyric-less and uniquely modern musical world. Michael Chorney is the Tony winning collaborator/arranger with Anais Mitchell of Hadestown (2019 Tony Award winner, Best Musical) and the bandleader and songwriter behind myriad other projects including, most recently, Freeway Clyde.

http://www.michaelchorney.com/

 
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Jan
26
7:30 PM19:30

TURNmusic presents EBB & FLOW: KATIE SEMRO WITH MATTHEW EVAN TAYLOR AND LAUREL JENKINS

 
 

TURNmusic Presents Ebb & Flow: Katie Semro with matthew evan taylor and Laurel jenkins

SPONSORED BY THE OLD STAGECOACH INN

$15-30 Sliding Scale

 

Ebb & Flow is an audio art performance by Katie Semro in which she intertwines the flow of energy in our daily lives and in nature. Using fragments of story, sound, music, movement, and audience participation, Semro manipulates the perpetual flow of the natural world alongside the currents of human emotion.

Also, Matthew Evan Taylor composes original music alongside choreographer Laurel Jenkins.

 
 
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Jan
19
7:00 PM19:00

WILLVERINE/LAROCCA/SAULNIER

 

Friday, January 19th

7pm doors, 7:30pm music

$15-30 sliding scale at door

Will Andrews aka Willverine is a Vermont-based producer, performer, and multi-instrumentalist.  Will is a constant collaborator, connector, and creator; working with Vermont acts such as psych-icana collective Freeway Clyde, soul shapeshifters Acqua Mossa, and local legends Japhy Ryder, as well as being dubbed the "remix king of Vermont" for his work remixing local acts.  When it comes to sounds, Will loves the weird, the simple, and the unique, and strives to bring emotion and motion to whatever instrument he's playing, or group he's playing with.  Check out his music on all streaming platforms, and come see him play live every Wednesday at the Wallflower Collective in Burlington, Vermont.

Matt LaRocca is a cross-genre composer and performer who likes making beautiful noises - you're just as likely to see him playing with a band as conducting an orchestra. He is on the composition/theory faculty at the University of Vermont and is the Music Director of the Champlain Philharmonic Orchestra. Committed to new music and innovation, he works as the Creative Chair and Project Conductor for the Vermont Symphony Orchestra, where he brings classical music to new audiences in new spaces and works in all things non-traditional. Matt's orchestral music has been commissioned by groups such as the Vermont Symphony, the Great Falls Symphony, and the New Jersey Youth Symphony. He performs on the electric viola with the psych-rock improvisation ensemble Freeway Clyde and is in demand as a collaborator and arranger for rock, folk, and electronic musicians including Guster, Kat Wright, Francesca Blanchard, and more. With a love of improvisation and crossing disciplines, Matt is a regular in the dance world and his collaborators include Jessie Owens, ERGO Movement, and Paul Besaw.

Composer Kyle Saulnier’s work has been celebrated by Downbeat as “a Great American Songbook of another order." His music has been performed by the Awakening Orchestra, the Metropole Orkest, the Westerlies, the Vermont Symphony Orchestra, the Louisiana Philharmonic, Saturn People’s Sound Collective, and TURNmusic, among others, and he has scored for television, advertising, and independent film projects. As a performer, Kyle leads and conducts the Awakening Orchestra, and has recently debuted the collaborative ensembles Edna (with Michael Chorney and Jeremy Frederick) and Cleary/Gagnon/Saulnier (with Tom Cleary and Andy Gagnon). He performs on acoustic bass and baritone saxophone, and has premiered new works by Eve Beglarian and Erik Nielsen, and appeared with artists including Moppa Elliott, Kat Wright, Francesca Blanchard, Brian Boyes, Michael Chorney, and LOVECRAFT. Kyle is the incoming artistic director of the Vermont Jazz Ensemble and the director of the Vermont Youth Symphony’s Jazz Program. He has served as music faculty at Middlebury College, Quinnipiac University, and Northern Vermont University, and is active with the visionary Music-COMP mentoring program.

 
 
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Jan
14
4:00 PM16:00

TURNmusic PLAYS KYLE SAULNIER (2nd Performance)

 

3:30pm doors, 4pm music
$15-30 Sliding Scale

SPONSORED BY BRAVE COFFEE & TEA

 

TURNmusicians play music by Kyle Saulnier, Iman Habibi, Nico Muhly, Liz Reid. These concerts are curated by Brooke Quiggins.

TURNMusic's January cycle dissolves the line separating performers and the audience. It's a chance to see the musicians in our most human light – embracing our vulnerabilities and emotions. We invite you to join us as we play music that truly reflects who we are as individuals, defines what drives our artistic journeys, and sheds light on how we find our place as artists in the world.

We're excited to have versatile composer Kyle Saulnier writing new music for us. Utilizing his unique writing style of composing for the musician as an individual rather than for the instrument they play, Kyle will weave together each artist's core sound to create a piece that unites the collective sound of the TURNMusic ensemble.

 
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Jan
13
7:30 PM19:30

TURNmusic PLAYS KYLE SAULNIER (1st performance)

 

7pm doors, 7:30pm music
$15-30 Sliding Scale

SPONSORED BY BRAVE COFFEE & Tea

 

TURNmusicians play music by Kyle Saulnier, Iman Habibi, Nico Muhly, Liz Reid. These concerts are curated by Brooke Quiggins.

TURNMusic's January cycle dissolves the line separating performers and the audience. It's a chance to see the musicians in our most human light – embracing our vulnerabilities and emotions. We invite you to join us as we play music that truly reflects who we are as individuals, defines what drives our artistic journeys, and sheds light on how we find our place as artists in the world.

We're excited to have versatile composer Kyle Saulnier writing new music for us. Utilizing his unique writing style of composing for the musician as an individual rather than for the instrument they play, Kyle will weave together each artist's core sound to create a piece that unites the collective sound of the TURNMusic ensemble.

 
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Dec
15
7:00 PM19:00

CLEARY/GAGNON/SAULNIER

7pm doors, 7:30pm music

$15-30 sliding scale at door

Tom Cleary studied jazz performance with Yusef Lateef and Archie Shepp, and classical piano performance with Sylvia Parker and Elizabeth Metcalfe. He has had extended collaborations playing piano and keyboards with artists including Mike Gordon, James Harvey, Ray Vega, Patricia Julien, and Jamie Masefield.  His collaboration with his wife, vocalist and composer Amber deLaurentis, in the jazz quartet Birdcode can be heard on the 2019 album You Are Here. He has played on jazz recordings including Cerulean by harmonicist John LaRouche, Burmese Panther by guitarist/composer Paul Asbell, and recent releases including Now And Then by saxophonist and flutist Marty Fogel and the debut album by Saturn People's Sound Collective.  His work as an arranger and co-writer can be heard on deLaurentis' solo albums Innocent Road and Hey Sadie. He has accompanied artists including Clark Terry, Lester Bowie, Fontella Bass, Ernie Watts, Chris Vidala, Pete Yellin, Max Weinberg, Judi Silvano, Joe Lovano, Joan Rivers and Steve Earle.  As a composer, his work has been commissioned and recorded by groups including Social Band, Vermont Contemporary Music Ensemble and the Saint Michael's College Fine Arts Department.  He teaches in the jazz studies program of the UVM Music Department, the Flynn Arts jazz program and his home studio; please visit https://soundcloud.com/bird-code and blog.uvm.edu/tgcleary.

Andy Gagnon regularly performs with LOVECRAFT, The Vermont Jazz Ensemble, Girls Girls Girls, The Renegade Groove, and PURPLE feat. Craig Mitchell.  He has played as a side man for a wide variety of artists and groups, including Ray Vega, Noah Young, Jennifer Hartswick, Eugene Uman, The East Coast Inspirational Singers, Birdcode, Dennis McNeil, APEX Ensemble, Bruce Sklar, Eric Lindberg, Elizabeth!, Joe Davidian, Justin Levinson, Dan Liptak, Collin Craig and Matt Davide.  As a composer, his works have been featured on concert programs, at academic festivals, and in film, most recently in the form of the score for the Vermont Suitcase Company's upcoming film, New Clothes!   Andy is the instrumental music director at Stowe Elementary, Middle, and High schools, the manager of the Vermont All State Music Festival concert band, the personnel manager for The Vermont Jazz Ensemble, a faculty member at the Vermont Governor's Institute on the Arts, a member of the Music-COMP board of directors, and the founding director of the VMEA District 2 Jazz Festival.

Composer Kyle Saulnier’s work has been celebrated by Downbeat as “a Great American Songbook of another order." His music has been performed by the Awakening Orchestra, the Metropole Orkest, the Westerlies, the Vermont Symphony Orchestra, the Louisiana Philharmonic, Saturn People’s Sound Collective, and TURNmusic, among others, and he has scored for television, advertising, and independent film projects. As a performer, Kyle leads and conducts the Awakening Orchestra, and has recently debuted the collaborative ensembles Edna (with Michael Chorney and Jeremy Frederick) and Cleary/Gagnon/Saulnier (with Tom Cleary and Andy Gagnon). He performs on acoustic bass and baritone saxophone, and has premiered new works by Eve Beglarian and Erik Nielsen, and appeared with artists including Moppa Elliott, Kat Wright, Francesca Blanchard, Brian Boyes, Michael Chorney, and LOVECRAFT. Kyle is the incoming artistic director of the Vermont Jazz Ensemble and the director of the Vermont Youth Symphony’s Jazz Program. He has served as music faculty at Middlebury College, Quinnipiac University, and Northern Vermont University, and is active with the visionary Music-COMP mentoring program.

 
 
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Nov
26
11:00 AM11:00

JUNIPER SAGE VINTAGE MARKET

JUNIPER SAGE VINTAGE SALE
SUNDAY, NOVEMBER 19TH, 11-6PM

GUCCI • MOSCHINO • JEAN PAUL GAULTIER • DOLCE & GABANNA • CHRISTIAN DIOR • LEATHERS • KNITS • BOOTS• $20 BIN

Our favorite vintage seller in Vermont returns to the Phoenix! Impeccably curated selection at reasonable prices. We’ll have tunes and drinks for you while you browse our warm gallery space.

 
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Nov
25
11:00 AM11:00

JUNIPER SAGE VINTAGE MARKET

JUNIPER SAGE VINTAGE SALE
SUNDAY, NOVEMBER 19TH, 11-6PM

GUCCI • MOSCHINO • JEAN PAUL GAULTIER • DOLCE & GABANNA • CHRISTIAN DIOR • LEATHERS • KNITS • BOOTS• $20 BIN

Our favorite vintage seller in Vermont returns to the Phoenix! Impeccably curated selection at reasonable prices. We’ll have tunes and drinks for you while you browse our warm gallery space.

 
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Nov
19
11:00 AM11:00

JUNIPER SAGE VINTAGE SALE

JUNIPER SAGE VINTAGE SALE
SUNDAY, NOVEMBER 19TH, 11-6PM

GUCCI • MOSCHINO • JEAN PAUL GAULTIER • DOLCE & GABANNA • CHRISTIAN DIOR • LEATHERS • KNITS • BOOTS• $20 BIN

Our favorite vintage seller in Vermont returns to the Phoenix! Impeccably curated selection at reasonable prices. We’ll have tunes and drinks for you while you browse our warm gallery space.

 
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Nov
17
7:00 PM19:00

EDNA

 

Edna is an improvised instrumental music group comprised of Michael Chorney, Kyle Saulnier and Jeremy Frederick. The trio creates highly melodic songs through the use of space and deconstruction.

$15-$30 sliding scale admission

 
 
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Nov
5
12:00 PM12:00

JUNIPER SAGE VINTAGE SALE

The Phoenix Gallery & Music Hall presents

JUNIPER SAGE Vintage Sale
Sunday, November 5th, 11-6pm

GUCCI • MOSCHINO • JEAN PAUL GAULTIER • DOLCE & GABANNA • CHRISTIAN DIOR • LEATHERS • KNITS • BOOTS• $20 BIN

Our favorite vintage clothes seller in Vermont comes to The Phoenix! Impeccably curated selection at reasonable prices. We’ll be spinning records and selling you Rookies Root Beer, Maple Lemonade and candy whilst you shop in our warm gallery space.

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Nov
4
7:00 PM19:00

A NIGHT OF GUITAR MUSIC WITH GLENN JONES AND LIAM GRANT

  • The Phoenix Gallery & Music Hall (map)
  • Google Calendar ICS

AUTUMN RECORDS’ Greg Davis & TURN music present

OUTER SOUNDS

GLENN JONES & LIAM GRANT

7PM DOORS, 7:30PM MUSIC | $10 DONATION

ABOUT GLENN JONES

"The best guitarist you never heard of." –The Boston Globe
Glenn Jones began playing guitar when he was 14 (after discovering Jimi Hendrix’s Axis: Bold as Love) and is today one the leading proponents of American Primitive Guitar, a style invented in the late 1950s by his friend and mentor, John Fahey.
Glenn turned away from the guitar’s standard E A D G B E tuning some 40 years ago and began creating his own tunings (he estimates he’s invented more than a hundred). These and his use of custom-crafted two-, three- and four-string partial capos are Jones’ way of escaping the known, thus allowing for the creation of new pieces of music, each of which requires its own chord shapes, fingerings, scales—and unique challenges: they are his way of navigating new and unfamiliar landscapes. “It’s my hope,” he says, “that what listeners hear is not all the technical stuff that goes into the creation of my pieces  – the weird tunings and partial capos and all that—but the music, the feeling within these pieces.” To date, Jones has issued seven highly lauded full-length albums, many of which have made critics' year-end "best of" lists (in such places as MOJO, Uncut, The Wire and many others). His most recent albums are Vade Mecum (2022), The Giant Who Ate Himself (2018), Waterworks (2017) and An Idea in Everything (2017), the latter a collaboration with drummer Chris Corsano and monologist David Greenberger.

links: 

https://glennjones.bandcamp.com/album/vade-mecum

https://thrilljockey.com/artists/glenn-jones

https://www.youtube.com/watch?v=uPXk1ElmzGs

ABOUT LIAM GRANT

Liam Grant is a New England guitarist with a punk ethos, cut from the American Primitive cloth. Conjuring worlds both unknown and familiar Grant evokes the sounds of the landscape in which he was raised. Personal instrumental memoirs and ruminations on the banks of the Merrimack River. Amoskeag. And the place where the waters flow around it. Salmon tails up the falls and black pearls from the river. The exodus to Stratton-Eustis and the Last Night on the Dead River before the great flood.

The restless guitar explorations, modal epics, and driving uptempo rags recall the likes of Grant's pedagogue: Takoma Records, and the path that was paved by his forebears John Fahey, Robbie Basho, and later Glenn Jones, Steffen Basho-Junghans, Jack Rose, and others.

"Although only 23 years old, Liam’s become a leading force in a much needed third wave revival of American Primitive music. Despite his age, Liam’s the very definition of 'an old soul' and while he draws on a wide variety of contemporary influences, he also channels a comprehensive history of the blues as well as a deeper energy that informs both his playing and songwriting." -- Rob Vaughn, Portland, Oregon – July 2023

Links: 

https://carbon-records.bandcamp.com/album/amoskeag

https://feedingtuberecords.com/releases/amoskeag/

https://liamgrant.sound-o-mat.com/

https://www.youtube.com/watch?v=ZpYWAeTJ0ZQ

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Oct
20
7:00 PM19:00

SAINT SILVA IN CONCERT + LAUNCH OF TRYSTAN BATES' CAPSULE COLLECTION

The Phoenix Gallery & Music Hall presents

THE STARLING SYMPHONY CAPSULE COLLECTION

Designed by Trystan Bates

LAUNCH PARTY will be Friday, October 20th with a performance of an original five movement composition by the electronic musician SAINT SILVA responding to the five movements of Trystan Bates’ exhibit, The Starling Symphony

$18 admission at door
7pm doors
7:30pm music
Custom limited T-shirts available for purchase at event and at the link in bio starting October 20th.

Beginning the week of the launch party, Trystan will release one new T-shirt design per week until the show ends Nov 17th, so watch for new design drops on Mondays starting October 23rd.

@st.silva.music @trystanbatesart

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Oct
16
7:00 PM19:00

MONDAYS ARE SCARY! STAND-UP COMEDY HOSTED BY MADDIE CROSS

The Phoenix Gallery & Music Hall presents

MONDAYS ARE SCARY!
A new monthly stand up comedy show
Hosted by Maddie Cross

featuring

Donny Andronaco
Alex St. Louis
Rob Hale

7pm, Monday, October 16th
$10 at door, BYOB, $5 for Ping Pong after

Generously sponsored by BRAVE coffee & tea

5 Stowe Street, Waterbury Village, Vermont

FACE YOUR FEARS AND END YOUR MONDAY LAUGHING!

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Oct
13
7:00 PM19:00

TURNmusic PRESENTS: HELEN GILLET

Helen Gillet is a singer-songwriter and surrealist-archeologist exploring synthesized sounds, texture, and rhythm using an acoustic cello. For someone with her varied background, New Orleans, with its mix of cultures and musics, seemed like a natural place to call home. She was born in Belgium, raised in Singapore from the ages of 2 to 11, and routinely shuttled between the homelands of her Belgian father and American mother. Over the years — working in New Orleans with musicians of all stripes, from avant-garde jazz and classical to pop and funk — Gillet has developed a singular polyglot style. The core of her work is solo performance with live looping, layering cello parts and vocal lines. Rhythmic figures emerge with bowed or plucked ostinatos or a variety of rubbing and slapping on the body of the cello, then enhanced with melodies played or sung in her haunting alto. Her mixed musical vocabulary is commensurate with her disparate travels — French chanson of the 1940s, Belgian folk tunes sung in Walloon, a mix of rock and punk from the likes of PJ Harvey and X-Ray Spex, and her own affecting originals, like audience favorite “Julien,” sung in a mix of French and English. Gillet’s solo performance is known for its enigmatic quality as she fabricates each song with innovative use of the cello and true mastery of live looping technology.

Helen Gillet, “Skin” - NPR Tiny Desk Contest 2023

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Sep
30
7:00 PM19:00

The Sound of Community: A pair of solo jazz piano concerts by Tom Cleary (Second Show)

From Tom Cleary:

In this pair of concerts, I'll be focusing on two prolific musical communities, New York City and Burlington, Vermont, and the music of two groups of jazz composers. Through the music of both concerts, I'll be asking one question: Is it possible to hear the sound of community in a piece of music attributed to one or two composers? In the first concert, I'll focus on the group I call the 'Three-Plus Musketeers Collective', a group originating in the mid-1940s which includes the well-known Thelonious Monk and Bud Powell and their lesser-known friend Elmo Hope (sometimes called 'The Three Musketeers' for their close association); Mary Lou Williams, who had a strong influence on Monk and Powell as a teacher, a guide and a fellow musician; and Bertha Hope, Elmo Hope's former wife and a pianist and composer still active today. In the second concert, I'll play the music of composers from the Vermont jazz scene including Ellen Powell, Patricia Julien, the Mad River Valley's own James Harvey and Bruce Sklar, and some of my own compositions.

These concerts will be performed on TURNmusic’s own 1929 Steinway Model M piano that begins its residency at The Phoenix Gallery and Music Hall. This piano has been graciously loaned by Anne Decker and Tim Buckingham of Waterbury, Vermont.

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Sep
23
7:00 PM19:00

TURNmusic + Greg Davis present OUTER SOUNDS with Ras Moshe Trio + Toussaint St. Negritude

Ras Moshe Trio

Ras Moshe - Tenor Sax, Soprano Sax & Flute

Bill Cole - Didgeridoo

Keith Gibson - Drums

+

Toussaint St. Negritude

Drawing from his life and repertoire as an Afrofuturist, oro-shamanic, poet and jazz bass clarinetist, Toussaint St. Negritude presents a dynamic solo performance of liberational truth telling, collaboratively pairing the call of his poetry with the intuitive responses of the bass clarinet, and additional instrumentation. Along with the music and poetry, Toussaint further extends the experience visually with his own hand-made hats and accompanying attire. As is the tradition of all Black and queer artistry, Toussaint St. Negritude summons the soul to be held, heard and seen. 

Former Poet Laureate of Belfast, Maine, poet, bass clarinetist, and composer Toussaint St. Negritude conjures whole liberations in full tempo. US Poet Laureate Gwendolyn Brooks described his work as "full of sweet sounds and surprises." Originally from San Francisco, Toussaint has lived and broadly thrived across the African Diaspora, from the sacred mountains of Haiti, to the Coltrane District of North Philadelphia. He, along with bassist Gahlord Dewald, is the leader of the band Jaguar Stereo!, a free-form ensemble of his own poetry and improvisational jazz, and his works have been widely published and recorded for over 40 years. On an alpine sanctuary facing east, Toussaint St. Negritude continues to thrive in the farthest elevations of Vermont's Northeast Kingdom.

$10 suggested donation

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Sep
22
7:00 PM19:00

THE PHOENIX PRESENTS RAY PADGETT: AUTHOR INTERVIEW/Q&A, "PLEDGING MY TIME: CONVERSATIONS WITH BOB DYLAN BAND MEMBERS" with 45 MIN SET OF DYLAN SONGS PLAYED LIVE BY EASTERN MOUNTAIN TIME

The Phoenix Music Hall is proud to present a moderated interview/Q&A with Ray Padgett, author of Pledging My Time: Conversations with Bob Dylan Band Members, followed by a 45 min set of Dylan songs played live by Eastern Mountain Time.

$10 admission for the talk and music

$35 for the talk, music and a signed copy of “Pledging My Time”

REVIEWS AND MORE INFO ABOUT THE BOOK

"More fine stories than you can count" — Greil Marcus

Collecting over 40 original, in-depth interviews, Pledging My Time: Conversations with Bob Dylan Band Members is the first look at Bob Dylan’s career entirely from the perspective of the musicians standing a few feet away from him on stage – from his earliest days in the ‘60s all the way through the 21st century Never Ending Tour. With a few exceptions, these artists are not household names, but they have in many cases spent years making music with one of the most revered and mysterious artists in the world.

The world of Dylan’s bands and his road life has seemed fairly impenetrable for decades now. Many people in this book have never spoken before about their time with Dylan, or certainly not in as much depth. Interviewees span every era of Dylan’s career, from Ramblin’ Jack Elliott and Martin Carthy talking about the early folk scene up through Benmont Tench and Alan Pasqua talking about recording Rough and Rowdy Ways. This guest list guiding the backstage tour also includes one-off sit-ins, behind- the-scenes touring personnel, and even a notable Grammy Awards stage-crasher.

If Dylan is, as he famously put it back in 1965, a “song and dance man,” these are the people who have sung and danced alongside him.

Praise for Pledging My Time:

Ray Padgett is the ideal interviewer—he really knows his stuff, so he can draw the best out of every musician he talks to. This is a tremendous collection of acute, revealing, often funny stories from those who’ve played on stage with Bob Dylan.

— Michael Gray, author of Song and Dance Man: The Art of Bob Dylan

There already is an endless supply of books about Bob Dylan in the world. What could possibly be written now that seems fresh, much less indispensable? Enter Ray Padgett, one of the great modern Dylanologists, who has done the Lord’s work of tracking down Bob’s many collaborators over the years and getting the inside story. The result is insightful, fascinating, hilarious, illuminating, and, yes, indispensable.

— Steven Hyden, author of six books including Long Road and Twilight Of The Gods, and the co-host of the Bob Dylan podcast Never Ending Stories

These talks open up like running streams. There seems to be no guile, no self-promotion, no agendas: maybe because Ray Padgett doesn’t either. There’s less I Was There than ‘and then I wasn’t’—and more fine stories than you can count. I love Louis Kemp on negotiating with Walter Yetnikoff—even if he does have a 13-year-old Bob Dylan singing Jerry Lee Lewis and Chubby Checker in 1954.

— Greil Marcus, author of Folk Music: A Bob Dylan Biography in Seven Songs

Ray Padgett's Dylan scholarship combines obvious enthusiasm, deep knowledge, broad understanding, and an abiding need to get things right. This is essential work both now and for the future.

– Caryn Rose, author of Why Patti Smith Matters

If you're like me, you've waited your entire adult life for this book. Padgett digs deep and shines a spotlight on the people standing (and sitting) behind the man behind the shades.

— Jon Wurster, writer/performer/drummer (Mountain Goats, Bob Mould, Superchunk)

Eastern Mountain Time

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Sep
16
7:00 PM19:00

The Sound of Community: A pair of solo jazz piano concerts by Tom Cleary

From Tom Cleary:

In this pair of concerts, I'll be focusing on two prolific musical communities, New York City and Burlington, Vermont, and the music of two groups of jazz composers. Through the music of both concerts, I'll be asking one question: Is it possible to hear the sound of community in a piece of music attributed to one or two composers? In the first concert, I'll focus on the group I call the 'Three-Plus Musketeers Collective', a group originating in the mid-1940s which includes the well-known Thelonious Monk and Bud Powell and their lesser-known friend Elmo Hope (sometimes called 'The Three Musketeers' for their close association); Mary Lou Williams, who had a strong influence on Monk and Powell as a teacher, a guide and a fellow musician; and Bertha Hope, Elmo Hope's former wife and a pianist and composer still active today. In the second concert, I'll play the music of composers from the Vermont jazz scene including Ellen Powell, Patricia Julien, the Mad River Valley's own James Harvey and Bruce Sklar, and some of my own compositions.

These concerts will be performed on TURNmusic’s own 1929 Steinway Model M piano that begins its residency at The Phoenix Gallery and Music Hall. This piano has been graciously loaned by Anne Decker and Tim Buckingham of Waterbury, Vermont.

View Event →